TED PIORO
DUMBASS ABORIGINES
Mon Jul 28 14:09:50 2003
12.80.107.98




SYMPATHETIC TO THE PLIGHT OF ABORIGINES

When Russians set their foot in Alaska in 1741, twenty seven years later they attacked Poland. And so in 1772 mutilation of Poland began by Russia and her allies. Since then Polish freedom fighters under the slogan "For Yours And Our Liberty" fought for their cause on many strange soils, alike the Irish people ever since 1798.

In 1776 many Poles had joined American Revolutionary Army and in 1783 all together drove Britons from the Washington's land. Five years later Britons settled in Aboriginal Australia and occupation of that continent began.

In 1778-9 France and Spain declared wars on Britain, and after the French Revolution in 1789 the wars intensified.

In 1939 Russia with Germany again mutilated Poland, and as a good gesture in 1945 Britain rescued 1,000 Polish orphans fleeing from Russia and settled them in New Zealand and Australia.

Encouraged by this good deed in 1947 the Britons commenced transporting to Australia 10,000 of their own and Irish orphans mingling them with thousands of children taken by force from Aboriginal families creating the so called "Lost Generation" problem.

In 1994 appeared in Australia a Polish kid (lost in Germany during WWII) and met some of those children of the first 1945 settlement. Four years later he met children of the "Lost Generation" and as a tribute dedicated to them an Epic Movie's Scenario about which is written in October's issue of the POLISH WEEKLY (#40) with circulation in Sydney, Melbourne, Adelaide, Canberra, Brisbane, Perth and Hobart, faithful to the old slogan "For Yours And Our Liberty"

Content of the WEEKLY's article in both languages is presented below with expectation that the Australian Polish Community 130,000 in number will treat it heartily, so much, as it is needed to the Aborigines of Oz, 350,000 strong.

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NOWA IMPREZA PANA CZAJKOWSKIEGO

Cztery lata temu Czynny Dyrektor Stowarzyszenia Modrzejewskich, Wieslaw Czajkowski, P.O.Box 193, San Diego, CA 92038, USA, przez cztery miesiace wojazowal z malzonka po Australii i pozostawil slad w naszym TYGODNIKU POLSKIM oraz w KURIERZE ZACHODNIM odpowiednio: 04.02.95 - "Falszywy patriotyzm" oraz Czerwiec 1995 - "Z milosci do Modrzejewskiej i polskich tradycji". A ze zakochal sie takze w Aboryginach, to na nastepna ture przygotowal SCENARIUSZ MONUMENTALNEGO FILMU o ich historii i kulturze.

Zaczynajac od Cairns w Queensland i tamtejszej prasy (Listopad 1998) przez piec miesiecy przekonywal conajmniej piecdziesieciu liderow rdzennych Ozeans o potrzebie wykonania wieloseryjnego filmu aby przez uswiadomienie ludzkosci poparla ich w dazeniach do suwerennosci chocby tylko na jednym terytorium Oz. Film ma sie skladac z trzynastu scen pod nastepujacymi tytulami: RAJ OZEANOW (PARADISE OF OZEANS); SREDNIOWIECZE (DARK AGES); WIEK ODKRYC (AGE OF DISCOVERIES); PODBICIE OZ (SUBJUGATION OF OZ); TWORCZOSC I POJEDNANIE (CREATIVENESS AND RECONCILIATION).

Idea filmu przypadla liderom do gustu, natomiast opinie Australijczykow, do ktorych nalezy rowniez zaliczyc Polonie, ogolnie wypadly niepomyslnie, pisze do nas Dyrektor Czajkowski nie chcac sie nad tym zjawiskiem zastanawiac. Dodaje jedynie, ze sprawa filmu jest rozstrzygana na najwyzszym szczeblu aboryginskiej hierarchii i ze prawdopodobnie rok nastepny zajmie mu dokonczenie SCENARIUSZA z udzialem OZEANOW.

Chetnych poznania szczegolow SCENARIUSZA Redakcja TYGODNIKA odsyla pod podany adres pocztowy, lub internetowy lub proszac, azeby czytelnicy nie omijali TYGODNIKA.

Zdjecie, jakie w naszej Redakcji Dyrektor pozostawil ukazuje go z Przewodniczacym ATSIC'u Gatjil Djerrkura podczas lutowej konferencji w Adelaide.

Redakcja.

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A NEW ACTIVITY OF MR. CZAJKOWSKI.

Four years ago Acting Director of the Modjeskis' Society, Mr. W. Czajkowski, P.O.Box 193, San Diego, CA 92038, USA, for four months was riding with his spouse across Australia. In effect in our POLISH WEEKLY (POLSKI TYGODNIK) of February 4, 1995, as well as in the monthly WESTERN COURIER (KURIER ZACHODNI) of June 1995 appeared two articles entitled "False Patriotism" and "With Love to Madame Modjeska and Polish Traditions". Because he also fell in love with Aborigines, for the next trip to Australia he prepared an EPIC MOVIE's Scenario pertaining their history and culture.

He started in Cairns, Queensland and in the local newspaper THE CAIRNS POST (November 12th issue). During five months of voyages he tried to convince at least fifty leaders of Aborigines about necessity of producing a three parts serial movie which should signal the entire world that they have an ambition to become independent on a separate territory of Oz. The movie would contain thirteen scenes within the following chapters: PARADISE OF OZEANS, DARK AGES, AGE OF DISCOVERIES, SUBJUGATION OF OZ and CREATIVENESS AND RECONCILIATION.

The movie's concept has been applauded by said leaders with the exception of some Australians, among them members of the Polish communities, wrote to our WEEKLY Mr. Czajkowski without any hint why he is not concerned about the latters. He added only that the case of movie production is negotiated with highest authorities and probably next year he will work together with Aborigines on the final edition of the Scenario.

Whoever wishes to know details of the Scenario, we recommend to contact the Society directly using also its e-mail addresses and/or . By this occasion we are asking our readers not to ignore contacts with our WEEKLY.

The photo, which the Director left in our Office, presents him with the Chairman of the ATSIC (Aboriginal and Torres Strait Islander Commisssion) Mr. Gatjil Djerrkura made in February in Adelaide.

The Editorship.

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Great deeds make ones visible. Check the given URL below and do something for the EPIC MOVIE which should prevent disappearance of your distinctive culture by becoming a WORLD HERITAGE forever.
Truly - Author of the MOVIE'S Scenario.

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CRAZY HORSE MEMORIAL ( http://www.crazyhorse.org )

Sioux Chief Crazy Horse when asked 'where are your lands now' pointed and said:
"My lands are where my dead lie buried"

Crazy Horse Memorial is a nonprofit cultural and educational humanitarian project dedicated to the Native Americans of North America.

The foundation has three major goals: the mountain carving, the Indian Museum of North America, and the University and Medical Training Center for the North American indian.

CRAZY HORSE

Crazy Horse was born on Rapid Creek in 1843. He was killed when he was only 34 years of age, September 6, 1877. He was stabbed in the back by an American soldier at Fort Robinson, Nebraska, while he was under U.S. Army protection. During his life he was a great leader of his people.

He did not have an equal as a warrior or a chief. He gave submissive allegiance to no man, white or Indian, and claimed his inalienable rights as an Indian to wander at will over the hunting grounds of his people. He never registered at any agency; never touched the pen; never signed a treaty. He wanted only peace and a way of living for his people without having to live on the white man's reservations.
Crazy Horse defended his people and their way of life in the only manner he knew, but only after he saw the treaty of 1868 broken. This treaty, signed by the President of the United States said, "Paha Sapa, the Black Hills, will forever and ever be the sacred land of the Indians." He took to the warpath only after he saw his friend Conquering Bear killed; only after he saw the failure of the government agents to bring required treaty guarantees such as meat, clothing, tents and necessities for existence. In battle the Sioux war leader would rally his warriors with the cry, "It is a good day to fight;--it is a good day to die."
In 1877 Crazy Horse's wife, staying at Fort Robinson, was dying of tuberculosis. His only child a daughter, had recently died of this same disease. Under a guarantee of safe conduct both into and out of the Fort, Crazy Horse agreed to confer with the Commanding Officers. History has proven since that the intention never was to let Crazy Horse go free, but rather to ship him to the Dry Tortugas in Florida. The chief had no notion what was in store for him until he entered the guardhouse and saw the bars on the windows. Right then he was face to face with the fate the white man had intended for him. He drew a knife (the fact that he had not been disarmed is good proof that he never surrendered) and attempted to get to his Indian friends outside the stockade. Little Big Man, friend and warrior companion of Crazy Horse, carrying out his orders as an Indian policeman, seized Crazy Horse's arms. In struggling to free himself, Crazy Horse slashed Little Big Man's wrist. At this point, an infantry man of the guard made a successful lunge with a bayonet and Crazy Horse fell, mortally wounded.
In the minds of the Indians today, the life and death of Crazy Horse parallels the tragic history of the red man since the white man invaded their homes and lands. One of many great and patriotic Indian heroes, Crazy Horse's tenacity of purpose, his modest life, his unfailing courage, his tragic death set him apart and above the others.
May 29, 1949
Korczak Ziolkowski, Sc.

To be carved on the mountain in letters three feet high:

WHEN THE COURSE OF HISTORY HAS BEEN TOLD
LET THESE TRUTHS HERE CARVED BE KNOWN:
CONSCIENCE DICTATES CIVILIZATIONS LIVE
AND DUTY OURS TO PLACE BEFORE THE WORLD,
A CHRONICLE WHICH WILL LONG ENDURE.
FOR LIKE ALL THINGS UNDER US AND BEYOND
INEVITABLY WE MUST PASS INTO OBLIVION.
THIS LAND OF REFUGE TO THE STRANGER
WAS OURS FOR COUNTLESS EONS BEFORE:
CIVILIZATIONS MAJESTIC AND MIGHTY.
OUR GIFTS WERE MANY WHICH WE SHARED
AND GRATITUDE FOR THEM WAS KNOWN.
BUT LATER, GIVEN MY OPPRESSED ONES
WERE MURDER, RAPE AND SANGUINE WAR.
LOOKING EAST FROM WHENCE INVADERS CAME,
GREEDY USURPERS OF OUR HERITAGE.
FOR US THE PAST IS IN OUR HEARTS,
THE FUTURE NEVER TO BE FULFILLED.
TO YOU I GIVE THIS GRANITE EPIC
FOR YOUR DESCENDANTS TO ALWAYS KNOW--
"MY LANDS ARE WHERE MY DEAD LIE BURIED."

Korczak Ziolkowski, Sculptor
Crazy Horse Memorial, Black Hills, S.D.

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A SCENARIO TO A MONUMENTAL MOVIE ABOUT HISTORY AND CULTURE OF NATIVE AUSTRALIANS (OZEANS)

PARADISE OF OZEANS

SCENE I

In it is seen a violetish, wave-like plane, concentrically pulsating and superimposed by the word SPIRIT in a similar motion. On such a plane the word SPIRIT shrinks to a bluish spot growing into discernable and rotating globe exposing the continent of Oz.

SCENE II

The continent Oz is enlarged to a size of the movie screen showing details of the prehistoric environment and at the end of this Scene concentrating on various aspects of Ozean's Life.

DARK AGES

SCENE III

After Scene II, the globe and the Oz are shown again. Above and below the globe appear two STARS OF DAVID which squeeze it into a flat disk. On the disk are seen contours of the Euro-African continent and other lands. Beneath the disk dominates darkness.

SCENE IV

Above the disk from east to west moves the Sun, Moon and Stars. At Judea, a part of the Euro-African continent, a cross is rising.

SCENE V

On the other land masses of the Euro-African continent spread cathedral like structures wherefrom with national flags marched armored men with crosses on their banners commencing battles with the neighbors tainting red the surrounding land with blood.

AGE OF DISCOVERIES

SCENE VI

Portugese Henry the Navigator (1394-1460), Italian Christopher Columbus (1446-1506) and Polish Nicolaus Copernicus (1473-1543) are seen inflating the flat disk-shape globe and setting it into motion around the Sun.

SCENE VII

A close up of the rotating globe with ships departing from the Euro-African continent onto the vastness of oceans. On the grounds of visited lands are being displayed the crosses. From under the crosses flows blood into the oceans.

SUBJUGATION OF OZ

SCENE VIII

Close up of the North American continent (1776). There are seen British ships sailing hurly across the Atlantic Ocean towards England. From there they are seen traversing the oceans on their way to the PARADISE OF OZ.

SCENE IX

Close up of the Oz continent with the soil underneath the British reddened, too. The stubborn natives are seen chained and shipped to England in cages for a public display.

SCENE X

Here is seen en route a multitude of ships from England to Oz with chained Britons on board send there to perform a hard labor because Ozeans refused to work and chose the out-back country instead of enslavement. However they leave behind their children who are subjected to a civilizing education. Many of them wind up in dungeons or in graves.

CREATIVENESS AND RECONCILIATION

SCENE XI

The Oz's continent is exposed again with various constructive works going on. Human masses are flowing in from all over the world. This time among cathedral like structures are seen temples of strange religions and native Ozeans from a distance observing these developments. Some already reeducated enter institutions of the new comers and try to impose on them their traditions. In their plight for the human conscience they do it under the protection of the United Nations gaining back their "Stolen Generations" (under their own banner and with their sovereignty).

SCENE XII

The Globe is seen rotating with the Oz in front view. The globe shrinks to a small bluish spot as in Scene I. Out of this spot's surrounding space emanates a flash, and out of this flash rises a spacecraft in flight towards a neighboring star. The craft slowly disappears and blends with the Spirit as in Scene I. Thus the SPIRIT comes again to the Ozeans regained by the Cosmos as it always has existed in their Dreams.

SCENE XIII

In this scene are seen symbols of all religions and national cultures gathered under the Life Giving Sun, the One among zillions of Suns emanating Light - the Spirit of the entire Cosmos. Those zillions of Lights are seen blending together and the Humanity also becoming alike the Light.

CLASH OF CIVILIZATIONS (A MEMENTO)

SCENE XIV

In this scene we see clashes among civilizations, and those, who survive them by means as presented in the Scene XII. Here we see survivors commencing a new evolutionary life in conformity with the all encompassing SPIRIT of LOVE. Thus it comes to a triumph of Oz's Aborigines assuming that they were on that historical flight (Scene XII). We see them in a great joy of regaining freedom being lost on the planet Earth.

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An excerpt from the booklet "NATURE'S GOD", a supplement to the book ADOLF HITLER - FOUNDER OF ISRAEL available at the or :

THE LIGHT

Physical properties of the light seemingly are known, but exactly no one knows what the LIGHT is.
The "Mother of Nature" supplies the entire Universe with it immensely, of course, including STARS, which emanate THE LIGHT, no less intensely.
Although the Stars emanate the LIGHT, we do not feel IT due to enormous expanses of COSMOS. We don't feel it until STARS' microwave background radiation (of our Big Bang Sphere in this instance) exceeds the "Paradise's" level (see 36 Celsius, below).
No one can argue that the LIGHT is not a part of Electro-Magnetic Energy created within STARS, and even in bulbs, yes - by man-made bulbs. As the LIGHT of Stars can sustain LIFE, so the LIGHT of bulbs can sustain too. Plants are receptors of LIGHT. Without plants no creature can survive.
And as the LIGHT creates LIFE, so the ENERGY creates MATTER. ENERGY and LIGHT are the same, and since the local BIG BANG cataclysmically emerges, ENERGY/LIGHT uniformly dissipates across the COSMOS, and at points of ITS merger, does emerge the MATTER - from a single atom to particles of zillions of atoms, intersected/bounded by ENERGY/LIGHT, and finally coales