John Ray
Media Must Be Broken - Who Rules America?
Tue Jul 15 14:31:16 2003
208.152.73.155

Who Rules America?
The Alien Grip on Our News and Entertainment Media Must Be Broken
http://www.natvan.com/who-rules-america/

There is no greater power in the world today than that wielded by the manipulators of public opinion in America. No king or pope of old, no conquering general or high priest ever disposed of a power even remotely approaching that of the few dozen men who control America's mass media of news and entertainment.

Their power is not distant and impersonal; it reaches into every home in America, and it works its will during nearly every waking hour. It is the power that shapes and molds the mind of virtually every citizen, young or old, rich or poor, simple or sophisticated.

The mass media form for us our image of the world and then tell us what to think about that image. Essentially everything we know -- or think we know -- about events outside our own neighborhood or circle of acquaintances comes to us via our daily newspaper, our weekly news magazine, our radio, or our television.

It is not just the heavy-handed suppression of certain news stories from our newspapers or the blatant propagandizing of history-distorting TV "docudramas" that characterizes the opinion-manipulating techniques of the media masters. They exercise both subtlety and thoroughness in their management of the news and the entertainment that they present to us.

For example, the way in which the news is covered: which items are emphasized and which are played down; the reporter's choice of words, tone of voice, and facial expressions; the wording of headlines; the choice of illustrations -- all of these things subliminally and yet profoundly affect the way in which we interpret what we see or hear.

On top of this, of course, the columnists and editors remove any remaining doubt from our minds as to just what we are to think about it all. Employing carefully developed psychological techniques, they guide our thought and opinion so that we can be in tune with the "in" crowd, the "beautiful people," the "smart money." They let us know exactly what our attitudes should be toward various types of people and behavior by placing those people or that behavior in the context of a TV drama or situation comedy and having the other TV characters react in the Politically Correct way.

Molding American Minds

For example, a racially mixed couple will be respected, liked, and socially sought after by other characters, as will a "take charge" Black scholar or businessman, or a sensitive and talented homosexual, or a poor but honest and hardworking illegal alien from Mexico. On the other hand, a White racist -- that is, any racially conscious White person who looks askance at miscegenation or at the rapidly darkening racial situation in America -- is portrayed, at best, as a despicable bigot who is reviled by the other characters, or, at worst, as a dangerous psychopath who is fascinated by firearms and is a menace to all law-abiding citizens. The White racist "gun nut," in fact, has become a familiar stereotype on TV shows.

The average American, of whose daily life TV-watching takes such an unhealthy portion, distinguishes between these fictional situations and reality only with difficulty, if at all. He responds to the televised actions, statements, and attitudes of TV actors much as he does to his own peers in real life. For all too many Americans the real world has been replaced by the false reality of the TV environment, and it is to this false reality that his urge to conform responds. Thus, when a TV scriptwriter expresses approval of some ideas and actions through the TV characters for whom he is writing, and disapproval of others, he exerts a powerful pressure on millions of viewers toward conformity with his own views.

And as it is with TV entertainment, so it is also with the news, whether televised or printed. The insidious thing about this form of thought control is that even when we realize that entertainment or news is biased, the media masters still are able to manipulate most of us. This is because they not only slant what they present, but they establish tacit boundaries and ground rules for the permissible spectrum of opinion.

As an example, consider the media treatment of Middle East news. Some editors or commentators are slavishly pro-Israel in their every utterance, while others seem nearly neutral. No one, however, dares suggest that the U.S. government is backing the wrong side in the Arab-Jewish conflict and that it served Jewish interests, rather than American interests, to send U.S. forces to cripple Iraq, Israel's principal rival in the Middle East. Thus, a spectrum of permissible opinion, from pro-Israel to nearly neutral, is established.

Another example is the media treatment of racial issues in the United States. Some commentators seem almost dispassionate in reporting news of racial strife, while others are emotionally partisan -- with the partisanship always on the non-White side. All of the media spokesmen without exception, however, take the position that "multiculturalism" and racial mixing are here to stay, and that they are good things.

Because there are differences in degree, however, most Americans fail to realize that they are being manipulated. Even the citizen who complains about "managed news" falls into the trap of thinking that because he is presented with an apparent spectrum of opinion he can escape the thought controllers' influence by believing the editor or commentator of his choice. It's a "heads I win, tails you lose" situation. Every point on the permissible spectrum of public opinion is acceptable to the media masters -- and no impermissible fact or viewpoint is allowed any exposure at all, if they can prevent it.

The control of the opinion-molding media is nearly monolithic. All of the controlled media -- television, radio, newspapers, magazines, books, motion pictures -- speak with a single voice, each reinforcing the other. Despite the appearance of variety, there is no real dissent, no alternative source of facts or ideas accessible to the great mass of people that might allow them to form opinions at odds with those of the media masters. They are presented with a single view of the world -- a world in which every voice proclaims the equality of the races, the inerrant nature of the Jewish "Holocaust" tale, the wickedness of attempting to halt the flood of non-White aliens pouring across our borders, the danger of permitting citizens to keep and bear arms, the moral equivalence of all sexual orientations, and the desirability of a "pluralistic," cosmopolitan society rather than a homogeneous, White one. It is a view of the world designed by the media masters to suit their own ends -- and the pressure to conform to that view is overwhelming. People adapt their opinions to it, vote in accord with it, and shape their lives to fit it.

And who are these all-powerful masters of the media? As we shall see, to a very large extent they are Jews. It isn't simply a matter of the media being controlled by profit-hungry capitalists, some of whom happen to be Jews. If that were the case, the ethnicity of the media masters would reflect, at least approximately, the ratio of rich gentiles to rich Jews. Despite a few prominent exceptions, the preponderance of Jews in the media is so overwhelming that we are obliged to assume that it is due to more than mere happenstance.

Electronic News & Entertainment Media

Continuing government deregulation of the telecommunications industry has resulted, not in the touted increased competition, but rather in an accelerating wave of corporate mergers and acquisitions that have produced a handful of multi-billion-dollar media conglomerates. The largest of these conglomerates are rapidly growing even bigger by consuming their competition, almost tripling in size during the 1990s. Whenever you watch television, whether from a local broadcasting station or via cable or a satellite dish; whenever you see a feature film in a theater or at home; whenever you listen to the radio or to recorded music; whenever you read a newspaper, book, or magazine -- it is very likely that the information or entertainment you receive was produced and/or distributed by one of these megamedia companies.

AOL-TW. The largest media conglomerate today is AOL-Time Warner, created when America Online bought Time Warner for $160 billion in 2000. The merger brought together Steve Case, a White gentile, as chairman of AOL-TW, and Gerald Levin, a Jew, as the CEO. A brief history of the company is in order.

The four (gentile) Warner brothers founded their movie company in 1907 and had their first major success ten years later with My 4 Years in Germany. WB incorporated in 1923 and went on to cartoon success with Porky Pig and Bugs Bunny. In 1944, a court ruled that WB must release Olivia de Havilland after her seven-year contract. This decision prevented any one company from controlling a pool of creative talent, but it did nothing to stop the Jews from controlling the entire industry with which that talent was obliged to work. In 1948, WB sold its film library to MGM. In 1949, another court ruling forced WB to sell its cinema chain, obstructing vertical integration by a single movie-making company, while doing nothing to prevent the Jews from establishing such integration through an ethnic collaboration.

In 1958, WB created Warner Brothers Records, which was later renamed WEA. In 1968, Jack Warner sold his shares to Seven Arts, while DC and All-American Comics were bought by Kinney National Services (a funeral parlor conglomerate). Kinney turned around and bought a talent agency, then turned around again and bought Warner-Seven Arts, becoming Warner Communications.

Warner Communications bought Elektra Records in 1970, the same year that Jew David Geffen started the Asylum label. (The name is synonymous with crazy-house.) Time bought HBO from Charles Dolan in 1972. Ironically, 1972 was also the year when Money magazine began publication, while the (original) magazine Life ceased.

Ted Turner entered the major media scene in 1976 when his TV station WTCG (Atlanta) was carried on US cable networks. In 1979, Turner Communications Group became Turner Broadcasting System, and WTCG was renamed WTBS. The following year, CNN became the world's first 24-hour all-news cable network. Turner tried to buy CBS in 1985, but he was blocked when Lawrence Tisch, a Jew, bought 25% of shares. Instead, Turner bought MGM's film library (1986). TBS merged with Castle Rock and New Line Cinema in 1994. In 1996, Turner made a career-busting faux pas by selling TBS to Time Warner. AOL bought Time Warner in 2000.

In 2001, Gerald Levin, who had been Chairman of Time Warner and then CEO of the merged AOL-TW, fired Ted Turner from his position during a telephone conversation. Control of TBS temporarily shifted to Robert Pittman (a White gentile), but was given shortly afterward to Walter Isaacson, a Jew, who was recruited from his former position at Time Inc., to take over the company that Ted Turner built. We're reasonably certain that Ted Turner would not have sold TBS to Time Warner if he'd known that Levin was going to fire him only five years later. Levin smooth-talked Turner in classic Jewish fashion, and Turner, having placed his trust in a Jew's honor, paid the price for that mistake.

But Levin wasn't finished with his dagger. Having backstabbed Turner, he did likewise to his other useful dupe, Robert Pittman. Pittman had been Levin's champion for the AOL-TW merger on the AOL side. While we don't know for certain what Pittman's motive was, we could guess that it had something to do with Pittman believing himself to be Levin's choice as the new CEO at AOL-TW after Levin's retirement. But when the time came to finalize his choice of successor, Levin bypassed Pittman and gave the position to his long-time pet mulatto, Richard Parsons. Parsons has been AOL-TW's CEO since May 2002. Pittman, though initially grumpy about this treatment, has moderated his tone. A paycheck less than Parsons' paycheck is still better than no paycheck at all.

Before the merger, AOL was the largest Internet service provider in America, and it is now being used as an online platform for the Jewish content from Time Warner. Time Warner, with 1997 revenues of more than $13 billion, was the second largest of the international media leviathans when it was bought by AOL.

Time Warner's subsidiary HBO is the country's largest pay-TV cable network. Until the purchase in May 1998 of PolyGram by Edgar Bronfman, Jr., Warner Music was America's largest record company, with 50 labels, the biggest of which is Warner Brothers Records (WEA). Warner Music was an early promoter of "gangsta rap." Through its involvement with Interscope Records (prior to Interscope's acquisition by MCA), it helped to popularize a genre whose graphic lyrics explicitly urge Blacks to commit acts of violence against Whites.

AOL-TW's publishing ventures include Time-Life International Books, Time-Life Education, Time-Life Music, Time-Life AudioBooks, Book-of-the-Month Club (both adult and children's branches), Paperback Book Club, History Book Club, Money Book Club, HomeStyle Books, Crafter's Choice, One Spirit, Little Brown, Bulfinch Press, Back Bay Books, Warner Books, Warner Vision, The Mysterious Press, Warner Aspect, Warner Treasures, Oxmoor House, Leisure Arts, Sunset Books and TW Kids.

AOL-TW owns the following cable and satellite companies, among others: Cinemax, Time Warner Sports, HBO (7 US and 6 international divisions), CNN (10 divisions worldwide), Time Warner Cable, Road Runner, Time Warner Communications (primarily a telephone service), New York City Cable Group, New York 1 (a sort of CNN devoted exclusively to news in the NYC area), Time Warner Home Theater, Time Warner Security (video monitoring), Court-TV (ownership shared with Liberty Media), Comedy Central (ownership shared with Viacom) and Kablevision (Hungary).

AOL-TW owns the following TV and movie companies: Warner Brothers, WB studios, WB Television (Productions, Animation, and Network), Hanna-Barbera Cartoons, Telepictures Production, Witt-Thomas Productions, Castle Rock Entertainment, Warner Home Video, WB Domestic Pay-TV, WB Domestic TV Distribution, WB International TV Distribution, The Warner Channel (separate companies for Latin America, Asia-Pacific, Australia, and Germany), and WB International Theaters in 12 countries.

The editor-in-chief of Time Warner's publishing division is Norman Pearlstine, a Jew. AOL-TW owns the following magazines: Time, Time Asia, Time Atlantic, Time Canada, Time Latin America, Time South Pacific, Time Money, Time For Kids, Fortune, Life (the watered-down new version), Sports Illustrated (plus SI Women/Sport, SI International, and SI For Kids), Inside Stuff, Money, Your Company, Your Future, People, Who Weekly (Australia), People en Espaņol, Teen People, Entertainment Weekly, EW Metro, The Ticket, In Style, Southern Living, Progressive Farmer, Southern Accents, Cooking Light, Travel Leisure, Food & Wine, Your Company, Departures, SkyGuide, Vertigo, Paradox, Milestone, Mad Magazine, Parenting, Baby Talk, Baby on the Way, This Old House, Sunset, Sunset Garden Guide, Health, Hippocrates, Costal Living, Weight Watchers, Real Simple, President (Japan), and Dancyu (Japan). AOL-TW owns 80 additional magazines (mostly hobby and leisure) in Britain.

AOL-TW holds the following music record labels: Atlantic Group, Atlantic Classics, Atlantic Jazz, Atlantic Nashville, Atlantic Theater, Big Beat, Background, Breaking, Curb, Igloo, Lava, Mesa/Bluemoon, Modern, Rhino Records, Elektra, EastWest, Asylum, Elektra/Sire, Warner Brothers Records, Warner Nashville, Warner Alliance, Warner Resound, Warner Sunset, Reprise, Reprise Nashville, American Recordings, Giant, Maverick, Revolution, Qwest, Warner Music International, WEA Telegram, East West ZTT, Coalition, CGD East West, China, Continental, DRO East West, Erato, Fazer, Finlandia, MCM, Nonesuch, and Teldec.

Disney. The second-largest media conglomerate today, with 1997 revenues of $23 billion, is th

• TRUMAN'S JEWS RULE USA — HENNECKE KARDEL, Wed Jul 16 02:54